Coldwell Banker Commercial Read & Co.Formerly with McCarthy-Read, Inc., Mr. Read entered the commercial real estate field in 1977. Read joined Coldwell Banker Forehand & Co. On December 1, 1985, as Vice President and Associate Broker and has developed the Commercial Division of Coldwell Banker Forehand & Co. Into a commercial sales leader in Central Virginia. Read acquired the Commercial Division of Coldwell Banker Forehand & Co.
Ricky Reed Is Real Zippo Lighter
In April 2011 and became Coldwell Banker Commercial Read & Co. Read developed several major projects including History Junction Shopping Center - (Appomattox, VA), Mayflower Industrial Park, River Ridge Industrial Park. Build to suit for Homestead Materials, Graves Refrigeration, Sherwin-Williams, ASCS (Federal Government) & Rental Service Corporation.
Some past & current clients include: A.O. Smith, Centra Health, Wachovia, General Electric Corp., Reser Find Foods, Bank of America, Monague-Betts Co., Inc., Food Lion, Barker-Jennings Corp., State of VA, Virginia Credit Union League, Select Bank, The Rebkee Co., Pepsico, Fralin & Waldron, Super 8 Motels, Burger King, MCI, Zimmer Development, Coca-Cola, RR Donnelley, McDonalds, Denny's, TGI Fridays and Taco Bell. † - Top people or top companies received either Commercial Elite status (Companies)or the Circle of Distinction (professionals) for the previous year's closed transaction volume.© 2019 Coldwell Banker Commercial 速 and the Coldwell Banker CommercialLogo are registered service marks owned by Coldwell Banker Real Estate LLC. Coldwell Banker LLCfully supports the principles of the Fair Housing Act and theEqual Opportunity Act. Each franchise is independently owned and operated. Any services or productsprovided by independently owned and operated franchisees are not provided by, affiliated with orrelated to Coldwell Banker Real Estate LLC, Coldwell Banker LLC, dba Coldwell Banker CommercialAffiliates nor any of its affiliated companies.
Certainly is real, as he's the producer, MC, songwriter, and multi-instrumentalist behind the pop-rap-dance act Past that, the title of the act's 2013 full-length debut must be ironic because, the album, is a fist-pumping, poptacular, snarky, and slick way to escape the everyday doldrums. This one is chock-full of swaggering, steezy, and lightweight anthems that dust off ' hit 'You Get What You Give' as a blueprint while bass dropping and cleverly utilizing some other various post-, post-, and post- building material. If that sounds like an insult, then the album plays out like a dressed-up slab of dreck where everything is too loud and everyone is too happy, but if that sounds like fun, the album is ridiculously fun with main man coming off as a winning mash of the wonkiest pop. The opening 'RriR' is not only a sorta-title track, but with ridiculous reasons for being ('I'm that bottle of Jack, I'm that roach on your dresser/I'm that last day of school, I'm that last day of summer') it's also a sorta-manifesto where everyone's popping mollys (even if nobody's got any) and drunken tattoos are commonplace (even if the dude told you it was permanent). Still, these little bits of gee whiz-dom are rattled off over a beat that's bass-driven and beautiful, as if bassist joined and the world became a better place.
'Last Call' combines arena rock and EDM along with 'we wanna riot' and 'it don't mean nuthin' during the infectious chorus, but it's shockingly sincere on all counts, and suddenly 'talkin' loud and sayin' nuthin' doesn't seem such an insult. When new wavey, tones meet banging trap beats and Bay Area slang king, 'Geek Out' is a different way to the free the mind, and yet the ass still follows, as it does on 'Puke My Brains Out' (the ultimate in silly), 'WHO RLY CRS' (Twitter speak meets meets ), and 'Drunken Hearts' (dumb fun and dangerously close to material). That's plenty of highlights, but nothing is highbrow, making the slick album numbing in one go and more effective when parceled out. Save it for Friday, or whenever that Friday feeling is required.